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Short form video and UGC · from £140 a piece

Short form video and UGC · from £140 a piece

Forty pieces a month.

Forty pieces a month.

Every month.

Reel is a social media agency of nine in Manchester. We shoot, edit and deliver short form video and UGC for food, sport and beauty brands. We price per piece, we publish the price, and we tell you the delivery date before you sign anything.

Hands cooking vegetables in a pan on a hob

New case study

Halden · 60 pieces in three months

Pieces delivered since 2019

2,180

Every one priced, dated and counted. No reach figures without the arithmetic behind them.

5 days

brief to first cut

3 rounds

of changes in every price

41

creators in the network

£140

per piece, published

Brands we shoot for

What we sell

Three things, priced separately

Most agencies sell you one retainer and decide later what goes in it. We sell three things with three prices, and you can buy one of them.

Three dimensional icon of a film clapperboard

01

Short form video

£180 per piece

We shoot it, we cut it, you get a vertical master plus a square and a wide crop.

Half day or full day shoot at our studio or your site

Vertical 9:16 master, plus 1:1 and 16:9 crops

Captions burned in and as a separate file

Three rounds of changes

Delivery five working days after the shoot

Three dimensional icon of a phone playing a vertical clip

02

UGC from creators

£140 per piece

One of forty one creators shoots it on a phone, at home, the way the format actually looks. We brief them, review it and handle the rights.

Creator matched to the product and the audience

Two concepts per piece before anything is shot

Raw plus a cut version

Twelve month usage across paid and organic, worldwide

Delivery seven working days from brief

Three dimensional icon of a rising bar chart

03

Channel management

£1,400 per month

Posting, replying and reporting on up to three channels. Only sold alongside one of the two above, because managing a channel with nothing to post is theatre.

Up to three channels

Scheduling and publishing

Replies inside working hours

One report a month with what we measured and what we changed

One month, forty pieces

What a month actually looks like

This is a real forty piece month, not an illustration. Every brand we work with gets a version of this grid before the month starts.

Week 1

Mon

Brief call, 45 minutes

Tue

Concepts back to you, 12 of them

Wed

You pick, we book

Thu

Creator briefs go out

Fri

Shoot day one, studio

Week 2

Mon

Shoot day two, your site

Tue

First cuts, 8 pieces

Wed

Your changes

Thu

Creator pieces start landing

Fri

Delivered: 14 pieces

Week 3

Mon

Shoot day three

Tue

Cuts, 10 pieces

Wed

Your changes

Thu

Second creator batch

Fri

Delivered: 16 pieces

Week 4

Mon

Cuts, 10 pieces

Tue

Your changes

Wed

Delivered: 10 pieces

Thu

Report: what ran, what we measured

Fri

Next month’s brief call

Two things we will not pretend about: a shoot day moves if the weather or your stock moves, and a creator can drop out. When either happens you hear it that day and the delivery date changes on this grid, not quietly at the end of the month.

Two things we will not pretend about: a shoot day moves if the weather or your stock moves, and a creator can drop out. When either happens you hear it that day and the delivery date changes on this grid, not quietly at the end of the month.

Eighteen frames from the last month.

Every one of these went out as a piece. Swap them for your own and the grid keeps its shape.

Hands cooking vegetables in a pan on a hob

Skincare

A smear of skincare balm on an orange background

Running

A footballer striking a ball on a pitch

Coffee

Portrait against a dark background

Food

Portrait in a grey shirt against a white background

Creator

Portrait smiling against a white background

Location

Portrait in a dark jacket against a pale background

Studio

Black and white portrait, standing

Gym

Portrait in a blazer against a dark background

Bakery

Portrait against a dark background, hands crossed

Beauty

Portrait in a pale shirt against a dark background

Kit

Black and white portrait, seated on a stool in a studio

Street

A phone mounted on a rig filming a vertical clip

Gym

An editor at a desk with an edit timeline on screen

Bakery

A camera on a tripod lit by coloured lights

Beauty

An edit timeline open on an ultrawide monitor

Kit

Someone filming a plate of food with a phone

Street

A film set with crew, lights and a backdrop

Home

Pricing

Price per piece, published

There is no discovery call before you find out what it costs. These are the prices. Volume brings them down and the table says by how much.

Short form video, studio

Short form video, studio

£180

5 working days

Short form video, on location

Short form video, on location

£240

5 working days

UGC from a creator

UGC from a creator

£140

7 working days

UGC with product seeding

UGC with product seeding

£165

10 working days

Cut down of an existing piece

Cut down of an existing piece

£60

2 working days

Subtitles in another language

Subtitles in another language

£25

2 working days

Rush, delivered in 48 hours

Rush, delivered in 48 hours

plus 50 %

2 working days

Twenty · 20 pieces a month

£3,200

£160 per piece · Three month minimum

Forty · 40 pieces a month

£5,600

£140 per piece · Three month minimum, one shoot day included

Eighty · 80 pieces a month

£9,600

£120 per piece · Six month minimum, two shoot days included

Process

How a month runs

Three dimensional icon of a clock

01

Brief call, forty five minutes

What is launching, what is selling, what you have already got. We write the brief, you correct it.

Three dimensional icon of a calendar

02

Concepts

Twelve concepts for a forty piece month, one line each. You pick. Nothing is shot before you do.

Three dimensional icon of a camera

03

Shoot

One to three days depending on the package, at our studio or your site. You are welcome but not needed.

Three dimensional icon of a film clapperboard

04

Cuts

In batches through the month, not all at the end, so you can start posting in week two.

Three dimensional icon of a card with a tick

05

Changes

Three rounds in the price. Most pieces use one.

Three dimensional icon of a price tag

06

Delivery

Vertical master plus crops, captions burned in and separate, in a folder per piece.

Three dimensional icon of a rising bar chart

07

Report

One page at the end of the month: what ran, what we measured, what we are changing.

The same seven steps every month, so the second month is faster than the first.

The month in detail

Creators and rights

Forty one creators, and what that actually means

A creator network is only useful if you know how people get picked, how they get paid and who owns the result. Here is all three.

How they get picked

We match on the product and the audience, not on follower count. A creator with four thousand followers who genuinely cooks every day will out-shoot one with two hundred thousand who does not. Every creator in the network has shot at least three pieces for us before they are offered to a brand.

How they get paid

A flat fee per piece, paid within fourteen days of delivery, plus the product. No performance clauses, because a creator cannot control whether you put spend behind it. The fee is between £65 and £85 depending on the format, which is roughly half of the £140 to £165 you pay us. The rest is the brief, the review, the rights paperwork and the reshoot when one is needed.

Who owns it

You get twelve months of worldwide usage across paid and organic, starting on delivery. The creator keeps copyright and may post it on their own channels unless you ask otherwise in the brief. Extending usage costs £30 per piece per year and you can do it at any point, including after the twelve months lapse.

What we will not do

We will not ask a creator to claim they bought something they were given, and we will not run a piece without an ad disclosure where one is required. This is not a moral position, it is that the fine is yours and the trust is theirs.

Six of the forty one.

Each one shoots a category, not everything. The brief goes to the person who already knows the room.

Nadia, portrait

Nadia

food and home

12 pieces

Owen, portrait

Owen

running and gym

9 pieces

Priya, portrait

Priya

skincare

14 pieces

Marek, portrait

Marek

coffee and bakery

7 pieces

Ife, portrait

Ife

street and travel

11 pieces

Hana, portrait

Hana

beauty and kit

10 pieces

Who you talk to

Nine people and a room in Ardwick

No account managers. The person on the brief call is the person who cuts the work or the person who shot it.

Ada Finch, portrait

Ada Finch

Founder, director · since 2019

Rob Teale, portrait

Rob Teale

Director of photography · since 2019

Maya Osei, portrait

Maya Osei

Editor · since 2020

Jules Brandt, portrait

Jules Brandt

Editor · since 2021

Sam Wren, portrait

Sam Wren

Creator lead · since 2021

Ife Adeyemi, portrait

Ife Adeyemi

Producer · since 2022

Tom Naylor, portrait

Tom Naylor

Editor · since 2023

Bea Lowe, portrait

Bea Lowe

Studio and kit · since 2023

Nils Rask, portrait

Nils Rask

Strategy and reporting · since 2024

Questions

Things brands ask before they book a month.

Do you work month to month?

Who owns the footage?

Can you use our existing footage?

What if we hate the first cut?

Do you do paid media?

Are you only in the UK?

How fast can you start?

What happens if a creator drops out?

Contact

Tell us what is launching

Four questions. If it is not for us we will say so in the reply and tell you who we would call instead.

Reel

Social media agency: short form video and UGC

Unit 12, Ardwick Works, Manchester M12 6JH

Unit 12, Ardwick Works, Manchester M12 6JH

hello@reel.studio

hello@reel.studio

Monday to Friday, 9:00 to 18:00 GMT

Monday to Friday, 9:00 to 18:00 GMT

Reel Studio Ltd, registered in England 12119045. VAT GB 341 8870 22.

Reel Studio Ltd, registered in England 12119045.
VAT GB 341 8870 22.

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